Draped Nimbostratus (An Open Window Unit) represents a hybrid form of design, involving textile art, sculpture and architecture. The works is a sound absorbing installation and a result of Bendixen’s PhD thesis on the possibilities of an acoustic textile architecture, in which the placement under the ceiling as well as the folded structure increase the sound absorbing property of the textile.

 Draped Nimbostratus (An Open Window Unit) is made of 100 % woven new wool (Divina from Kvadrat A/S) and polyester wire. The cloud is built up of rhombus shaped modules of 175 x 190 cm (in plane state). Draped Nimbostratus is an attempt to develop the architectural potential of sound absorption. Sound absorption ‘sounds’ like an open window – the sound disappears. This was demonstrated by W. C. Sabine in 1898 and consequently he called the unit of measurement Open Window Unit.

 Draped Nimbostratus (An Open Window Unit) reveals how a relatively massive and extensive material also visually can construct space as the cloud can give rise to associations to the outside. In this way the visual impression can support the auditory sensation of space. With concurrent auditory and visual expressions, sound absorption can become an architectural parameter and contribute to sensuously nuanced spaces.

 The title Draped Nimbostratus refers to the cloud motif but also to the way the textile is folded and draped. This means that the folds in the textile arise from the way the textile hangs – which is determined by its weight versus its stiffness. Only the technique is chosen by the architect – wires draw the textile together – the final form is given by the textile and by gravity. The intention behind the work is to reveal the inherent forces of textile and in the same time obtain a poetic analogy to nature.

Selected exhibitions

May 2015 : Stand Galerie Maria Wettergren, Design Miami/Basel, Switzerland

2014 : Open Window Units, Nicolai, Kolding, Denmark

2012 : Under en Sort Sol, Rundetårn, Copenhagen, Denmark

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • 2013
New wool, polyester thread
100 x 200 cm (rhombus)

    Draped Nimbostratus (An open window unit)
    2013
    New wool, polyester thread
    100 x 200 cm (rhombus)

  • Screen Shot 2015-11-21 at 14.36.44

    Cecilie Bendixen
    Born in 1975 Denmark

    The Danish artist and architect is drawn to natural phenomena, and she poetically explores the way in which essential dynamics can be captured by her sculptures though different materials and methods. Materials themselves often guide Bendixen through her empirical practice, where she gains inspiration from movement and form through touch and sight, carefully observing how a material can be approached. She considers the different qualities that make it unique: its shape, texture, strength, how it looks when it is fixed, and how it can interact with natural dynamics.

    Cecilie Bendixen is considered as one of the most innovating textile artists of Scandinavia. She made a Ph.D. research project on textiles and sound, underlining two main questions: how sound can be shaped by textile and conversely how textiles can be shaped by sound? These questions have given form to a series of sound absorbing textile sculptures and installations, such as the monumental installation Draped Nimbostratus (2013) as well as the delicate thread sculpture Sun Disc, 2015) and sculptural lightings based on draped textiles (Volume, 2015) and (Much, 2016). Cecilie Bendixen’s interdisciplinary approach to design, involving science, arts, crafts and architecture makes her an important contributor to the contemporary art scene.
    Cecilie Bendixen’s interdisciplinary approach to art, involving science, design, crafts and architecture makes her an important contributor to the contemporary art scene. She was nominated for the Nordic Textile Awards in 2017, and the same year she received the Bindesboell Medal. Her works are part of important private and public collections, such as the Danish Art Foundation and the Galila Barzilaï-Hollander Collection, Brussels.

    Cecilie Bendixen has exhibited in various contexts such as the Charlottenborg Spring Exhibitions, Design Miami and Nordjyllands Kunstmuseum. She was nominated for the Nordic Textile Awards in 2017, and the same year she received the Bindesboell Medal.

    EDUCATION
    2013 PhD, The Royal Danish Academy of Fine Arts, School of Design / Kvadrat A/S
    2005 Architect, The Royal Danish Academy of Fine Arts, School of Architecture

    SELECTED EXHIBITIONS
    2019 FIAC Hors les Murs, Paris
    2019 Phenomena, Solo Show, Galerie Maria Wettergren, Paris
    2019 Galerie Maria Wettergren, Design Miami/Basel, Switzerland
    2019 Participating CRAFT & MATTER, selected design exhibition, Korea, arranged by the Danish Arts Foundation
    2019 Invited to World Biennial of Contemporary Textile Art in Madrid, September 2019 for exhibition, conference and Masterclass at IED, Design School of Madrid
    2019 Site specific concrete / textile installation at Art Village Selde, Denmark, September 2019
    2019 Invited to Deep Forest Artland to exhibit the Skibelund Tent and do workshops at the festival INGRID
    2018 Mindcraft, Milan,
    2018 Galerie Maria Wettergren, Design Miami/Basel, Basel
    2017 Galerie Maria Wettergren, The Salon Art + Design, New York
    2016 Draperet Nimbostratus (version II). Permanent installation private collection, Virginia USA
    2016 Galerie Maria Wettergren
    2016 Hanging Waves, Sound absorbing lamp. Denmark’s Tekniske Universitet
    2016 Slinky Tubes, Sound absorbing lamp. Denmark’s Tekniske Universitet
    2015 Galerie Maria Wettergren, THE SALON ART+DESIGN, New York, United States
    Galerie Maria Wettergren, PAD London, United Kingdom
    Galerie Maria Wettergren, Design Miami/Basel, Basel, Switzerland Fugl Fønix, Saxkjøbing Sukkerfabrik, Sakskøbing, Denmark
    Lys object at Gallery Superobjekt, Copenhagen, Denmark
    2014 Open Window Units, Nicolai, Kolding, Denmark
    2012 Under en Sort Sol, Rundetårn, Copenhagen, Denmark

    SELECTED GRANTS AND AWARDS
    2019 Winner of small contest to do a permanent installation at Skanderup Boarding School, Denmark
    2019 Danish Arts Foundation, Work Grant
    2014 Denmarks Nationalbank’s Anniversary Fund (in collaboration with fashion designer Laura Baruël)
    2012 Denmarks Nationalbank’s Anniversary Fund
    2012 Danish Arts Foundation, Committee for Visual Arts Project Funding (coll. with artist Sophus Ejler Jepsen)
    2012 Danish Arts Foundation, Committee for Crafts and Design Project Funding
    2012 Danish Arts Foundation, Committee for Architecture Grants and Project Funding
    2006 Artist of the year in Fredericia
    2003 Residency at Nordisk Kunstnarsenter Dalsåsen, Norway

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