
Illimited I is a luminous wall sculpture from 2019 by the Danish artist Astrid Krogh. Inspired by the infinite depths of the Universe, the work represents the artist’s meditation over the constant flux of the starry sky. A dark blue pigment characterizes the expression of this poetic work, in which an infinite number of layers of pure pigments have been applied to the aluminium surface by the artist, creating a deep midnight blue. Delicate optic fibers, infused with coloured light, protrude from the surface and create different colour constellations as they appear and disappear in a slow, meditative pace, as designed by the artist. With the ever-changing calm and pensive flow of colours, the artwork seems to breath like a starry sky.
Illimited I is Krogh’s latest piece in a series of luminous sculptures that question the impact of coloured light on our perception. The soft and tactile quality that Krogh manages to give light by means of the optic fibers and the subtle colour transitions, offers the beholder a sensorial color experience unlike any other.

Illimited
2019
Optic fiber, aluminium, pigment, light monitors
130 x 130 x 20 cm
Limited edition of 8 unique pieces

Illimited
2019
Optic fiber, aluminium, pigment, light monitors
130 x 130 x 20 cm
Limited edition of 8 unique pieces

Illimited
2019
Optic fiber, aluminium, pigment, light monitors
130 x 130 x 20 cm
Limited edition of 8 unique pieces

Illimited
2019
Optic fiber, aluminium, pigment, light monitors
130 x 130 x 20 cm
Limited edition of 8 unique pieces

Born in 1968, lives and works in Copenhagen, Denmark
After graduating in 1997 from the textile faculty at The Royal Danish Academy of Fine Arts, School of Design, Astrid Krogh established her own studio the following year, where she started using optical fibers to create woven textiles, thereby weaving with light itself. As colored light is transmitted through the fibers, the textiles change appearance and transform the spaces around them. Krogh’s point of departure from conventional textile design was not merely her fascination for light, but also her attraction to shape-morphing objects and shifting colorways. “I use light as both a material and a technology”, Krogh explains. “The presence of light is an essential component of my work. Light enables my textiles to pulsate, change patterns and create an entire spectrum of ever-changing colorways”.
Few artists speak this refined language as fluently as Astrid Krogh, who uses light to describe aspects of nature that words simply cannot. The lingua franca in Krogh’s world describes the feelings evoked by the beauty of the dawn, and the emotions stirred when the sunset streaks extraordinary colors across the sky. Her vocabulary is nuanced by sensory experiences, which are articulated through a lexicon of color and light. Krogh’s vernacular encompasses the ripples that cause sunlight to sparkle on the surface of a lake, and the surging, blue tinted waves that change color as they break on the shore.
Widely recognized as one of the most pioneering Scandinavian artists in the field of light installations and textile art, Krogh is working at the intersection between art, architecture and design. Krogh’s works have been exhibited in various international institutions, such as the Boston Fine Art Museum; Le Musée Eugène Delacroix, Paris; Tournai International Triennial of Contemporary Textile Arts, Belgium; Malmö Kunstmuseum, Sweden; the Tefaf Maastricht Fair, Holland and Design Miami/Basel, Switzerland. Krogh’s works are included in important museum collections, such as the Designmuseum Danmark and the 21C Museum International Contemporary Art Foundation. Krogh has been making monumental light installations and site-specific commissions for private and public collections, such as the 21C Museum International Contemporary Art Foundation in Cincinnati, the Danish Parliament in Copenhagen; the Longchamp Flagship store in Paris; the Danish University Center in Beijing, China, and the Maersk building in Copenhagen. Krogh’s pieces are published in important books about contemporary textiles, architecture and design, and the artist has won several prizes, including the Thorvald Bindesboell Medal, the Inga & Ejvind Kold Christensen Prize, the Annual Honorary Grant of the National Bank of Denmark, the Finn Juhl Architecture Prize and the CODA Awards.