The idea behind the Clips III chair was to create a featherweight chair with three separate elements: seat, back and front. Together they become one logical shape. The construction of the chair is based on T and X connections, reinforced by wooden wedges. The chair is handmade in white ash and birch plywood. The free edges give the chair a light look and create a beautiful contrast between light and shadow.

  • 2013
White ash and birch plywood
16 1/2 × 18 9/10 × 29 9/10 in
42 × 48 × 76 (h) cm
Limited edition of 20 pieces

    Clips III
    2013
    White ash and birch plywood
    16 1/2 × 18 9/10 × 29 9/10 in
    42 × 48 × 76 (h) cm
    Limited edition of 20 pieces

  • 2013
White ash and birch plywood
16 1/2 × 18 9/10 × 29 9/10 in
42 × 48 × 76 (h) cm
Limited edition of 20 pieces

    Clips III
    2013
    White ash and birch plywood
    16 1/2 × 18 9/10 × 29 9/10 in
    42 × 48 × 76 (h) cm
    Limited edition of 20 pieces

  • 2013
White ash and birch plywood
16 1/2 × 18 9/10 × 29 9/10 in
42 × 48 × 76 (h) cm
Limited edition of 20 pieces

    Clips III
    2013
    White ash and birch plywood
    16 1/2 × 18 9/10 × 29 9/10 in
    42 × 48 × 76 (h) cm
    Limited edition of 20 pieces

  • 2013
White ash and birch plywood
16 1/2 × 18 9/10 × 29 9/10 in
42 × 48 × 76 (h) cm
Limited edition of 20 pieces

    Clips III
    2013
    White ash and birch plywood
    16 1/2 × 18 9/10 × 29 9/10 in
    42 × 48 × 76 (h) cm
    Limited edition of 20 pieces

  • Screen Shot 2015-03-11 at 18.45.34

    Creating designs with an equal focus on sculptural and functional qualities, Rasmus Fenhann’s works are made in carefully selected natural materials, especially wood. He is considered as one of the most important Scandinavian designers today in the field of handmade art design. His working processes combines traditional, sometimes near-forgotten craft techniques with advanced high-tech procedures, including computer-based sketching and visualization. His painstakingly precise treatment of wood sur faces, ending up in a velvet-like, soft finish and with invisible joints, is the result of an extraordinary effort, which is both mental and physical. It is exquisite craftsmanship, close to the obsessive. In the words of the artist, “It has to do with being able to zoom in, infinitely… There mustn’t be any flaws, not even the tiniest, in the delicate woodwork. Time is key, and infinite repetition is expected until a level of breathtaking per fection is reached.

    Rasmus Fenhann has a double education from the Danish Royal Academy of Ar t and Design, Furniture Depar tment 1997-2003, and as a Cabinetmaker 1991-1996. He has frequently exhibited in Japan, Europe and in the United States, and his works are part of impor tant private and public collections including the permanent collection of the Designmuseum Danmark, Copenhagen, Denmark. Rasmus Fenhann has received several Prizes and awards such as the Danish Arts and Crafts Silver Medal, 2004; the Finn Juhl Prize, 2016 and most recently, the Inga & Ejvind Kold Christensen Prize in 2022. 

    Artist’s Resume

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